Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Here are all the paintings of Augustus Earle 01

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
28004 A Bivouac of Travellers in Australia in a Cabbage Tree Forest,Day Break Augustus Earle A Bivouac of Travellers in Australia in a Cabbage Tree Forest,Day Break 1838 Oil on canvas 118 x 82 cm (46 1/2 x 32 1/4in) National Library of Australia,Canberra (mk63)
96965 A street flower seller Augustus Earle A street flower seller oil on canvas, 55 x 38 cm Date 1882(1882) cyf
58727 Augustus Earle Augustus Earle Augustus Earle Augustus Earle, (Self Portrait) Solitude, watching the horizon at sun set, in the hopes of seeing a vessel, Tristan de Acunha (i.e. da Cunha) in the South Atlantic, (1824): watercolour; 17.5 x 25.7 cm. National Library of Australia
32729 Captain Richard Brooks Augustus Earle Captain Richard Brooks mk80 1826-27 Oil on canvas 73.9x61
96964 Luck in a Moment Augustus Earle Luck in a Moment 30.5 x 25.5 cm Date 1874(1874) cyf
28395 Past and Present No 1 Augustus Earle Past and Present No 1 1858 Oil on canvas 63.5 x 76.2 cm (20 x 30 in) Tate Gallery London (mk63)
28397 Past and Present No 2 Augustus Earle Past and Present No 2 1858 Oil on canvas 63.5 x 76.2 cm (20 x 30 in) Tate Gallery London (mk63)
28398 Past and Present No 3 Augustus Earle Past and Present No 3 1858 Oil on canvas 63.5 x 76.2 cm (20 x 30 in) Tate Gallery London (mk63)
58729 Portrait of Bungaree Augustus Earle Portrait of Bungaree Augustus Earle, Portrait of Bungaree, a native of New South Wales, with Fort Macquarie, Sydney Harbour, in background, (1826): oil on canvas; 68.5 x 50.5 cm. National Library of Australia
94291 Portrait of Bungaree, a native of New South Wales, with Fort Macquarie, Sydney Harbour, Augustus Earle Portrait of Bungaree, a native of New South Wales, with Fort Macquarie, Sydney Harbour, oil on canvas Date 1826(1826) cjr
58728 Punishing negroes at Cathabouco Augustus Earle Punishing negroes at Cathabouco Augustus Earle, Punishing negroes at Cathabouco, (i.e. Calabouco) Rio de Janeiro, (1822): watercolour; 23.6 x 26.3 cm. National Library of Australia
94290 Punishing negros at Cathabouco Augustus Earle Punishing negros at Cathabouco 1822. Watercolour; 23.6 x 26.3 cm. cjr
96963 Selling Out Augustus Earle Selling Out 1901, oil on board, 30.5 x 23 cm cyf
94289 Solitude, watching the horizon at sun set, in the hopes of seeing a vessel, Tristan de Acunha Augustus Earle Solitude, watching the horizon at sun set, in the hopes of seeing a vessel, Tristan de Acunha 1824 cjr
96962 The flower girl Augustus Earle The flower girl Oil on canvas, 37 x 26 cm Date 1872(1872) cyf
96961 Uncared for Augustus Earle Uncared for Oil on canvas, 101 x 76 cm Date 1871(1871) cyf

Augustus Earle
Australian Painter , 1793-1838 Nephew of Ralph Earl. He exhibited at the Royal Academy in London between 1806 and 1815, when he began travelling. He visited the Mediterranean between 1815 and 1817, and lived in North America (1818-20) and South America (1820-24). In February 1824, en route to India, he was accidentally abandoned on Tristan da Cunha for eight months. The passing ship that rescued him took him to Australia. Here he lived from 1825 until 1828, a period broken by a seven-month residence in New Zealand. During all of his voyages he made watercolour sketches, particularly of places 'hitherto unvisited by any artist', apparently with the intention of publishing a series of aquatints. These drawings, such as a Bivouac, Daybreak, on the Illawarra Mountains (1827; Canberra, N. Lib.), have a robust autobiographical quality. In Sydney he obtained a number of commissions, including a full-length portrait of Governor Sir Thomas Brisbane (1825-6; Sydney, Govt House). Earle returned to England in 1829 and produced a series of prints, Views in New South Wales, and Van Diemen's Land.
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